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Shankar Terrace
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Kota House
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Dholpur House
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Ram Roop Clock Tower
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Hotel Bloomrooms
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Nirula Handicraft Bazaar
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Raghu Gunj
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22, PUSA Road
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1, PUSA Road
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Western Extension Area
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26, Pusa Road
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Charan/ Bharat Bhawan
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Kailash Sadan
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Stephens College
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Unchi Kothi
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All India Radio
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Sujan Singh Park
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Channa Market Complex
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Arvind Cottage
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Delite Cinema
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Filmistan Cinema
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Text 2
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Text 3
Pure

Shankar Terrace, 1936

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Photography Credits: Rishi Kochhar x Deco in Delhi

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Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi

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Photography Credits: Rishi Kochhar x Deco in Delhi

Location : Chandni Chowk

Architect : Master Sathe Bhuta (Bombay)

Patron : Padamshree Yogeshwar Dayal

People : Shankar Dayal, HC Sen

Shankar Terrace, built in 1936, was possibly the first multi-storey commercial complex in R.C.C. that came up in Chandni Chowk and more famously known to house Dr H.C. Sen's Clinic, the first allopathic doctor in Delhi. Designed in the Art Deco style, this multi-use complex comprised Dr Sen's Clinic, Indian Coffee House, S Chand Publisher's office amongst other things. Next to Shankar Terrace was the Imperial Medical Hall Press set up by Dr Sen and Majestic cinema hall, which was quite popular in its time.

The building was commissioned by Yogeshwar Dayal, named in memory of his father, Shankar Dayal, an affluent lawyer who was even invited to the Delhi Durbar of 1911, and designed by Bombay based Architects M/s Master, Sathe and Bhuta. The design was probably supervised by NK Kothari, an Architect working with the firm. The building hosts a bold roof canopy projecting on top of its corner entrance tower, adding visual importance to the main entrance. Each of the staircase cores also protrude out of the building as smaller towers and the facade is accompanied by curved balconies with precast cement grills. Metal handrails and entrance doors are patterned particularly in a mix of waves and geometric shapes. Use of Colourcrete, a modern coloured cement material for that time, can be seen carpeting down the stairs, which many say link it to buildings at Colaba, Bombay. It is complemented with wooden handrails to brick parapets as balusters. A particular overlapping circle detail is also observed at the entrance tower, which is perhaps mostly seen in Delhi exclusively, and relates to the ornamentation patterns adopted in New Delhi's Design by Lutyens and Baker.

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Vertical Emphasis

laying emphasis on the verticality of the building. Features like towers, fins, flutes and reeds help lay emphasis to receive the form.

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Vertical Emphasis

laying emphasis on the verticality of the building. Features like towers, fins, flutes and reeds help lay emphasis to receive the form.

photo

Vertical Emphasis

laying emphasis on the verticality of the building. Features like towers, fins, flutes and reeds help lay emphasis to receive the form.

photo

Photography Credits: Rishi Kochhar x Deco in Delhi

photo

Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi Photography Credits: Rishi Kochhar x Deco in Delhi

photo

Photography Credits: Rishi Kochhar x Deco in Delhi

Materials under Art Deco

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Yogeshwar Dayal

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Master, Sathe and Bhuta

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